Sara Bezovšek, 2022

Digital collage composed of images sourced online, bringing together brutalist buildings, mostly from former Yugoslavia, into a compressed landscape.
Scenes of demolition and decay interrupt the composition, reflecting the shifting perception of brutalist architecture. Once neglected or dismissed, these structures are now increasingly revisited, documented, and aestheticized. The work considers how architectural heritage is redefined over time, shaped by changing cultural values and online image circulation.

Digital print